난생 처음 한국 숯불 돼지갈비를 먹다 한국인들의 식사량에 진심으로 충격받은 일본인 모델의 솔직한 반응...! - YouTube
きまずい" (気まずい)는 일본어로 "어색하다
平気 (へいき, heiki): "괜찮다"
すいとる" (吸い取る, 스이토루)라는 동사가 있습니다. 이 동사는 "흡수하다", "빨아들이다
난생 처음 한국 숯불 돼지갈비를 먹다 한국인들의 식사량에 진심으로 충격받은 일본인 모델의 솔직한 반응...! - YouTube
きまずい" (気まずい)는 일본어로 "어색하다
平気 (へいき, heiki): "괜찮다"
すいとる" (吸い取る, 스이토루)라는 동사가 있습니다. 이 동사는 "흡수하다", "빨아들이다
숙소
홉 인 호텔 마카티 애비뉴
호텔 젠 마닐라 바이 샹그릴라
마닐라 베이 인근
호텔 베닐드 메종 드 라 살레
라살 대학교 인근
소피텔 필리핀 플라자 마닐라
아키노 국제공항에서 차로 20분
호텔 공항 셔틀이용가능(무료)
차로 10분거리 SM 쇼핑몰
‘a bit of’와 ‘a little’는 셀 수 없는 양을 나타내는 데 사용되기 때문에 가산명사에는 쓸 수 없어요. 이 두 표현은 ‘조금’이라는 의미를 가지고 있죠.
a lot of/ lots of 가산 및 불가산 가능
a few 가산
a little 불가산
many 가산
much 불가산
11.함화당 집경당
There are many mulberry trees along the road on the right side when you walk from the north of Jagyeongjeon Hall toward Hyangwonjeong Pavilion. During the season when the mulberries fall, the ground becomes purple with fallen mulberries. Under the shade of the mulberry trees, many large blue lilyturf flowers bloom, making the road very beautiful.
The wide area from behind Amisan Mound to the front of Hamhwadang and Jipgyeongdang Halls was once the location of Heungbokjeon Hall. Today, this area is being excavated so that Heungbokjeon can be rebuilt.
Heungbokjeon was once the home of royal concubines. In 1890, Queen Dowager Jo, who was later called Queen Sinjeong, died there. Later, in 1917, a fire broke out in the inner quarters of Changdeokgung Palace. To help rebuild the damaged buildings, the Heungbokjeon area was taken down and its materials were used for the restoration work.
Jipgyeongdang and Hamhwadang, located north of Heungbokjeon, were originally built as living quarters for royal concubines and court ladies. Later, King Gojong often used them as his office and a place to meet foreign diplomats. While staying in Geoncheonggung, he held important meetings here and searched for diplomatic solutions during a difficult time for Korea. The two halls are connected by a three-bay corridor. They also have several smaller buildings, walls, and gates around them. This suggests that they were used for different purposes than Heungbokjeon.
During the Japanese colonial period, many buildings in Gyeongbokgung Palace were damaged or demolished. but Hamhwadang and Jipgyeongdang survived
Yanagi Muneyoshi (1889–1961) was a Japanese art critic and the founder of the Folk Craft Movement.
He is closely connected to Hamhwadang and Jipgyeongdang.
In 1924, during the Japanese colonial period, Yanagi Muneyoshi opened the Joseon Folk Art Museum in these buildings and displayed Korean cultural objects and artworks.
At that time, he was concerned that many Korean cultural treasures, such as pottery, wooden crafts, Buddhist statues, and folk art, were being lost or taken to Japan. He wanted to protect and introduce the beauty of Korean culture, so he created a museum here.
Hamhwadang and Jipgyeongdang are more than just old palace buildings.
They were:
This area is not especially famous for major historical events. However, when we walk around a palace, we do not always need to visit only historically important places. When a place is peaceful and enclosed by cozy walls, it invites us to slow down and enjoy a moment of quiet contemplation.
As you explore the palace, you may suddenly find yourself in a peaceful corner. In the quiet atmosphere, it is easy to imagine the people who once lived here. Moments like these often leave the deepest impression on visitors.
Just outside Yeongjimun Gate, you'll find a small garden with a stone mortar planted with lotus flowers. In autumn, after the lotus blossoms have faded, the crimson leaves of a winged spindle tree fall into the mortar, creating a scene that can be even more beautiful than the flowers themselves.
There are many mulberry trees along the road on the right side when you walk from the north of Jagyeongjeon Hall toward Hyangwonjeong Pavilion. During the season when the mulberries fall, the ground becomes purple with fallen mulberries. Under the shade of the mulberry trees, many large blue lilyturf flowers bloom, making the road very beautiful.
The wide area from behind Amisan Mound to the front of Hamhwadang and Jipgyeongdang Halls was once the location of Heungbokjeon Hall. Today, this area is being excavated so that Heungbokjeon can be rebuilt.
Heungbokjeon was once the home of royal concubines. In 1890, Queen Dowager Jo, who was later called Queen Sinjeong, died there. Later, in 1917, a fire broke out in the inner quarters of Changdeokgung Palace. To help rebuild the damaged buildings, the Heungbokjeon area was taken down and its materials were used for the restoration work.
North of Heungbokjeon lie two buildings, Hamhwadang and Jipgyeongdang.
They were originally built as residential quarters for royal concubines and court ladies. However, their function changed over time.
During the reign of King Gojong, these halls were often used as office spaces and meeting places for foreign diplomats. While staying at Geoncheonggung, the king came here to hold important discussions and seek diplomatic solutions during a difficult time in Korea’s modern history.
The two halls are connected by a three-bay corridor, and are surrounded by smaller buildings, walls, and gates. This enclosed layout indicates that they once served more private and specialized purposes than nearby structures such as Heungbokjeon.
During the Japanese colonial period, many buildings in Gyeongbokgung Palace were destroyed or removed. Amazingly, however, Hamhwadang and Jipgyeongdang survived.
In 1924, during this period, the Japanese art critic Yanagi Muneyoshi, founder of the Folk Craft Movement, opened the Joseon Folk Art Museum inside these buildings.
He was concerned that many Korean cultural objects — including pottery, wooden crafts, Buddhist statues, and folk artworks — were at risk of being lost or taken to Japan, so he sought to preserve and introduce the beauty of Korean traditional culture.
Hamhwadang and Jipgyeongdang became more than just palace buildings. Over time, they served as King Gojong’s royal office, a place for diplomatic meetings during the Korean Empire, and later a museum of Korean folk art during the colonial period.
Today, the buildings have been carefully restored. The area is quiet and peaceful, offering visitors a chance to slow down and experience a different side of the palace.
Unlike the grand halls of Gyeongbokgung, this secluded corner is not marked by major historical events. Instead, it offers a peaceful place for reflection.
As you walk through this space, you may suddenly find yourself alone in a calm courtyard. In that silence, it becomes easy to imagine the lives of those who once lived and worked here.
Just outside Yeongjimun Gate, there is also a small garden featuring a stone mortar planted with lotus flowers.
In autumn, after the lotus has faded, the red leaves of the winged spindle tree fall into the mortar, creating a scene that some visitors consider even more beautiful than the flowers themselves
Sometimes, the quietest corners of a palace leave the deepest impression.
As you walk along the path to the right of the Heungbokjeon site and around Hyangwonji Pond, where Hyangwonjeong Pavilion stands, you will notice several mulberry trees.
These trees are not just part of the landscape. They are closely connected to one of the most symbolic royal rituals of the Joseon Dynasty — the Queen’s Sericulture Ceremony.
In an agricultural society like Joseon, silk was an extremely valuable product. For this reason, both kings and queens took part in farming-related rituals to emphasize its importance.
Just as the king sometimes performed symbolic farming in the fields, the queen also took part in raising silkworms and producing silk.
Through these ceremonies, the royal family encouraged the entire nation to emphasize the importance of agriculture and textile production.
The importance of silk production had deep cultural roots. In many villages, people worshipped Xi Ling, a legendary figure believed to have first taught humans how to raise silkworms. The royal court also held formal rituals at special altars dedicated to sericulture.
One of the most detailed records of this practice is found in the Royal Protocol of the Queen’s Sericulture Ceremony, describing an event held at Gyeongbokgung Palace in 1767.
During the ceremony, after performing a ritual to honor the mythical origin of sericulture, the queen symbolically picked mulberry leaves from five branches.
Crown Princess Hyebin and the Grand Crown Princess followed by picking leaves from seven branches, while court ladies and wives of high-ranking officials gathered leaves from nine branches.
Although symbolic, this act carried an important message.
It reminded the court and the people that silk production was not only an economic activity, but also a responsibility shared by the entire society — from the queen to the court ladies.
일본 입국 변경사항🇯🇵 Visit Japan Web 등록 방법 ✈️ VJW 완전정복 2025🫡 - YouTube
일본여행 일본어 회화 공항편 | 여행회화 기초 공항에서 알면 좋은 표현들
공항에서 필요한 일본어 회화 총정리✈️🧳 | 일본여행전 필수(설명포함)
일본 입국신고서 및 세관신고서 종이 서류 작성 방법 (당일치기 포함)
일본 출입국 절차 실제로 공개 ~출발 전에 시청 필수~ 우츠이히로시 의 슬기로운 한국이민생활
[스마트 여행 꿀팁] 후쿠오카에서 우버택시로 호텔~공항 무료로 온 후기 + 추천코드 vs 프로모션코드, #일본여행 시 가장 유용한 여행용 카드는? #후쿠오카여행 - YouTube
6.경회루
To the west of Gangnyeongjeon Hall (the king’s living quarters) and Gyeotaejeon Hall (the queen’s living quarters) stands Gyeonghoeru Pavilion.
From behind Sujeongjeon Hall, visitors can see the full view of Gyeonghoeru and its surrounding pond.
Gyeonghoeru was used for large royal banquets. At first, there was a small pavilion without a name from the early days of the dynasty. However, when it started to tilt, King Taejong of Joseon moved it to the west in the 12th year of his reign (1412) and built a larger pavilion in its place.
At that time, the swampy land around it was changed into a large rectangular artificial pond, measuring about 128 meters wide and 113 meters long. The new pavilion was then named Gyeonghoeru.
“Gyeonghoeru” literally means happy and formal gatherings between the king and his officials.
Ha Ryun explained it like this:
He said that Confucius once answered Duke Ai of Lu (who ruled during the Zhou Dynasty, around 494–467 B.C.) that good government depends on the people, and that a wise ruler must choose the right officials. Without this, true and successful gatherings are not possible.
Taejong of Joseon originally built Gyeonghoeru Pavilion to entertain foreign envoys. However, later kings also used it for many purposes, such as royal banquets for officials who had served the country well, and rain-making rituals during severe droughts.
Along the restored east wall of Gyeonghoeru Pavilion, there are three gates: Igyeonmun, Hamhongmun, and Jasimun.
If you think there is nothing more to see because you already saw the front of Gyeonghoeru from the north side of Sujeongjeon Hall, that is not true.
Buildings are best understood and enjoyed when you see them from the same place and viewpoint as the people who used them in the past saw them.
Turning toward the eastern wall of Gyeonghoeru Pavilion and walking into the narrow alley, you can feel a very different mood from the open view near Sujeongjeon Hall where you saw the pavilion and pond before.
The high walls around Gyeonghoeru make the pavilion feel solemn and dignified.
Among the three bridges leading to Gyeonghoeru Pavilion, the southernmost bridge connected to Igyeonmun Gate was the king’s bridge because it alone had a special path for the king.
Stone animal statues are carved on the posts of the three bridges, and they were believed to drive away evil spirits.
Especially on the post of the northernmost bridge connected to Jasimun Gate, there is a carving of Bulgasari.
Bulgasari is a mythical lucky animal believed to protect the country from foreign invasions and fires by eating iron and swallowing fire.
On the bridge posts and the pavilion pillars, you can still see bullet marks from the Korean War, which began on June 25, 1950.
Many people believe the story that Gyeonghoeru Pavilion survived the terrible war because the Bulgasaris fought with all their strength against the fire during the war.
The pavilion is supported by 48 huge stone pillars. The pillars use the “minheullim” style, meaning the upper parts are made slightly narrower. The outer pillars are square, while the inner pillars are round.
During a large renovation in the reign of King Seongjong in 1474, dragon carvings with flower decorations were added to the stone pillars.
People said that the reflections of the dragons looked as if they were moving in the soft blue waves and playing hide-and-seek among the red lotus flowers. Foreign envoys from the Ryukyu Kingdom, present-day Okinawa, were amazed by the beautiful and mysterious scene.
Small waves gently touch the stone stairs of the island where Gyeonghoeru Pavilion stands.
In 1997, during work to clean and deepen the pond, a bronze dragon statue was discovered.
According to Gyeonghoeru Jeondo, a collection of records and plans about the construction of Gyeonghoeru Pavilion, Regent Heungseon Daewongun, the biological father of King Gojong, placed two bronze dragons in the northern part of the pond when he restored the palace. Instead of remaking the dragon carvings on the pillars, he used the bronze dragons to prevent fire.
This idea came from the traditional theory of the “Five Elements” — fire, water, wood, metal, and earth. According to this theory, the five elements either help or overcome one another. Since melted metal was believed to create water, and water defeats fire, bronze dragons were placed in the pond to protect the palace from fire.
To the western side of the pond, two small artificial islets with pine trees were created to help the water circulate and prevent it from becoming stagnant.
Records say that the dethroned King, Prince Yeonsangun of Joseon, built an artificial mound and decorated it with gold, silver, and silk objects.
While hundreds of gisaeng, professional female entertainers called “heungcheong,” performed music, he moved through the scene in a large golden dragon-shaped boat.
Going up the small wooden staircase, you can see the flowing rooflines of various buildings through the decorated window frames.
Looking to the west, the rounded yet powerful shape of Mount Inwang resembles the famous painting Inwang jeoksakdo (Clearing After Rain on Mt. Inwang) by Jeong Seon (1676–1759), whose pen name was Gyeomjae.
To the north, Mount Bugak rises proudly with its dignified presence.
Before the tall buildings of today’s Sejongno Street existed, one can imagine how the view of Mount Namsan must have appeared through the beautifully decorated window frames.
People who were not invited could not even look over the high wall from outside.
A low-ranking official named Gu Jong-Jik managed to sneak into the pavilion.
While on night duty, he was so amazed by the beauty that he secretly entered the pavilion and ended up in front of King Sejong.
He begged the king for forgiveness. Instead of punishing him, King Sejong told him to sing and recite a Chinese history book.
Without hesitation, Gu Jong-Jik recited it fluently and sang well, which satisfied the king.
King Sejong was so impressed by his talent and dedication that he gave him an unusual promotion to junior fifth rank, skipping seven ranks at once. Normally, this would have taken about ten years.
Before you stands Gyeonghoeru Pavilion, the largest and most magnificent pavilion in Gyeongbokgung Palace, built in the middle of a large artificial pond and used as the royal banquet hall of the Joseon Dynasty.
This was where kings welcomed foreign envoys, celebrated important national events, and rewarded officials who had served the kingdom well.
The pavilion stands on forty-eight massive stone pillars rising from the water.
When lotus flowers covered the pond in summer, visitors described the scene as a floating palace.
Among the three bridges leading to the pavilion, one bridge was reserved exclusively for the king.
No official, no prince, and no guest could use the royal pathway.
Look closely at the stone posts along the bridges.
You will see carvings of mythical creatures.
The most famous is Bulgasari.
According to Korean folklore, Bulgasari could eat iron and swallow fire.
People believed it protected buildings from fire and defended the kingdom from disasters.
During the Korean War, fierce fighting reached Seoul.
If you look carefully at the stone pillars of Gyeonghoeru, you can still find bullet marks left by the war.
Many Koreans enjoy telling a local legend:
Although bullets struck the pavilion, Bulgasari protected it from destruction and prevented it from burning down.
Of course, this is only folklore—but it is one of the stories that gives Gyeonghoeru its special character.
In 1997, workers cleaning the pond made a surprising discovery.
They found a bronze dragon statue resting beneath the water.
Historical records explain why it was there.
When Heungseon Daewongun restored Gyeongbokgung in the nineteenth century, he placed bronze dragons in the pond.
The reason comes from the traditional East Asian theory of the Five Elements:
Water defeats fire.
Since dragons were closely associated with water, they were placed here as symbolic guardians protecting the palace from fire.
So while visitors admire the beautiful pond above, a dragon was believed to be guarding the palace below.
Not every story about Gyeonghoeru is serious.
One of the most extravagant comes from the reign of Yeonsangun.
Historical records describe lavish entertainments around the pavilion.
Artificial hills were decorated with gold, silver, and silk.
Hundreds of entertainers performed music and dance.
The king himself reportedly rode across the pond in a magnificent boat shaped like a golden dragon.
It must have looked like a scene from a fantasy film.
Yet the most beloved story here belongs to another king: Sejong the Great.
One night, a low-ranking official named Gu Jong-jik became curious about Gyeonghoeru's beauty.
Officials were not allowed to enter freely, but he secretly slipped inside while on duty.
Unfortunately, King Sejong was there.
Gu Jong-jik expected severe punishment.
Instead, the king asked him to sing and recite passages from a Chinese history book.
Gu performed so well that King Sejong was impressed.
Rather than punishing him, the king promoted him seven ranks at once.
A promotion like that could normally take many years.
It remains one of the most famous stories showing King Sejong's ability to recognize talent wherever he found it.
As you look across the water today, Gyeonghoeru is not just a beautiful pavilion.
It is a place of royal banquets, kings' bridges, fire-eating monsters, hidden dragons, golden boats, bullet scars from war, and unexpected stories of human talent.
That combination of history and legend is what makes Gyeonghoeru unforgettable.
5.수정전
To the south of Sujeongjeon Hall, there was a water clock pavilion called Borugak, where the water clock(Jagyeokru) was installed and used to measure the time of day.
In the western part of the palace, there was also an astronomical observatory called Ganuidae. There, scholars used an observation device called Ganui to observe astronomical phenomena.
During the reconstruction of Gyeongbokgung Palace in the reign of King Gojong, Sujeongjeon Hall was newly built near the former Jiphyeonjeon Hall area. For a time, it was used as an additional council hall. Later, it became the Office of National and Military Affairs, and eventually the Cabinet building.
The high and wide stone platform of Sujeongjeon Hall shows that the building was very important.
On the east and west sides of the hall, you can still see stones with grooves. These are remains of the corridors that once connected Sujeongjeon to the west building of Sajeongjeon Hall(the royal council hall) and to the east building of Daejeonjangbang, where the royal eunuchs stayed.
During the Japanese colonial period, Sujeongjeon was used as an exhibition hall.
Later, in 1966, it became a folk art showroom and later grew into today’s National Folk Museum of Korea.
As you stand in front of Sujeongjeon Hall, take a moment to look around.
Just beyond Sujeongjeon Hall, you can see Gyeonghoeru Pavilion standing above its large pond.
Long before the present building was constructed, this area was home to Jiphyeonjeon, the Hall of Worthies, a royal research institute established during the reign of King Sejong.
It became one of the most important scholarly institutions of the Joseon Dynasty, where leading scholars studied history, science, literature, and government while advising the king on important matters of state.
Jiphyeonjeon became the center of some of the greatest intellectual achievements of the Joseon Dynasty.
Most famously, the Korean alphabet Hunminjeongeum, known today as Hangeul, was created in 1443.
Jiphyeonjeon was not only a place of learning, but also a place of invention and creativity. Scholars developed scientific instruments such as sundials and water clocks, while also improving the court music performed during royal ceremonies.
Nearby stood Borugak, a pavilion that housed an automatic water clock, and Ganuidae, an astronomical observatory where scholars observed the movements of the sun, moon, and stars.
However, the original buildings of Jiphyeonjeon were lost when Gyeongbokgung Palace was destroyed during the Japanese invasions of the late sixteenth century.
The Sujeongjeon Hall you see today was built much later during the reconstruction of Gyeongbokgung Palace under King Gojong in the nineteenth century.
Afterward, Sujeongjeon Hall served several important functions. It was first used as a royal council hall, later became the Office of National and Military Affairs, and eventually served as the cabinet office of the Korean Empire.
Its importance can still be seen in the building itself.
The large stone platform beneath Sujeongjeon Hall reflects the prominent role it played within the palace.
If you look carefully to the east and west sides of the hall, you can still see stones with carved grooves. These are traces of covered corridors that once connected Sujeongjeon Hall with neighboring palace buildings.
During the Japanese colonial period, Sujeongjeon Hall was used as an exhibition space.
Later, the building became part of a folk art museum and eventually contributed to the development of today's National Folk Museum of Korea.
Today, Sujeongjeon may look like just another palace building.
But this area was once home to scholars, inventors, and government officials who helped shape Korean history.
From Sujeongjeon Hall to the front of Yeongchumun Gate, the western gate of Gyeongbokgung Palace, there are large grassy areas with many trees.
Because the trees are carefully maintained, this place may look like a beautiful garden to visitors, especially in spring when cornelian cherry flowers and cherry blossoms are in bloom.
However, this area was once the site of many palace office buildings.
On this site, there were many small government offices inside Gyeongbokgung Palace.
Many government offices were located outside the palace along the Street of Six Ministries in front of Gwanghwamun Gate. However, some offices were also placed inside the palace so they could assist the king close at hand.
One of them was Hongmungwan, also called Okdang, which served as the king’s special advisory office.
Seungjeongwon was the Royal Secretariat, and Bincheong was the room where government ministers met and waited.
As for the military offices, Seonjeongwancheong was in charge of the Royal Guards.
Dochongbu was the office responsible for the palace security.
There were also Daejeonjangbang, where the eunuchs serving the king stayed, and Naebanwon, the office that supervised them.
Saongwon was responsible for preparing food for the royal family and managing royal dining vessels.
Gwansanggam managed Ganuidae, the astronomical observatory, and Borugak, the water clock pavilion.
Naeuiwon was the Royal Clinic.
There were also many other offices that managed royal seals, tents, palanquins, and horses.
As you walk from Sujeongjeon Hall toward Yeongchumun Gate, the western gate of Gyeongbokgung Palace, you will see wide grassy areas shaded by many trees.
Today, this area feels like a peaceful park. In spring, the blooming cornelian cherry trees and cherry blossoms make it one of the most beautiful parts of the palace.
However, several centuries ago, this was not a garden at all.
This area was once filled with government offices that supported the daily operation of the royal court.
While many government ministries were located outside the palace near Gwanghwamun Gate, some offices were built inside the palace so that officials could assist the king more quickly and directly.
Among them was Hongmungwan, the royal advisory office where scholars provided guidance and reviewed important state documents.
Nearby stood Seungjeongwon, the Royal Secretariat, which delivered the king's orders and handled official communication.
There were also offices responsible for palace security, royal medicine, astronomy, timekeeping, food preparation, and many other aspects of palace life.
Together, these offices formed the administrative heart of the palace, supporting both the king and the government every day.
Most of these buildings disappeared during the Japanese colonial period, leaving only Sujeongjeon Hall standing today.
According to current restoration plans, many of the former palace offices may one day be reconstructed, helping visitors better understand how this important part of Gyeongbokgung once looked.